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== Abstract  ==
== Abstract  ==


'''Definition of <nowiki>’</nowiki>Preventive conservation<nowiki>’</nowiki>'''
= '''Definition of Preventive conservation''' =


'''Preventive conservation '''can be defined as meaning all indirect actions aimed at increasing the life expectancy of objects and collections (T<font size = "1">HE </font>D<font size = "1">OCUMENT OF </font>V<font size = "1">ANTAA</font>, 2000); as opposed to the direct treatment of individual objects ('''remedialconservation'''). Preventive conservation requires the assessment of objects,deterioration agents, and the environmental context (surveys and investigations);as well as long-term judicious management and forward planning. The term coversall cultural heritage, be it movable or immovable, and aims to keep an object orgroup of objects in a preferred state where minimum damage and/or deteriorationoccurs, as well as addressing the assessment and management of potential risks toobjects and collections and the formulation of emergency response strategies. Itincludes direct actions undertaken to avoid natural and manmade deteriorationagents, in addition to improving the environmental conditions for the storageand/or display of objects. Indeed, notions of preventive conservation influencecontemporary museum design for new buildings, and modification where possibleof historic buildings (P<font size = "1">ADFIED</font>, 2005). It should be noted, however, that thetechnical literature on preventive conservation mainly addresses the managementrequirements of museum and archive collections. Further examples of generalpreventive conservation literature and some more relevant for the issue of saltrelateddeterioration are given below.
'''Preventive conservation '''can be defined as meaning all indirect actions aimed at increasing the life expectancy of objects and collections (T<font size="1">HE </font>D<font size="1">OCUMENT OF </font>V<font size="1">ANTAA</font>, 2000); as opposed to the direct treatment of individual objects ('''remedialconservation'''). Preventive conservation requires the assessment of objects,deterioration agents, and the environmental context (surveys and investigations);as well as long-term judicious management and forward planning. The term coversall cultural heritage, be it movable or immovable, and aims to keep an object orgroup of objects in a preferred state where minimum damage and/or deteriorationoccurs, as well as addressing the assessment and management of potential risks toobjects and collections and the formulation of emergency response strategies. Itincludes direct actions undertaken to avoid natural and manmade deteriorationagents, in addition to improving the environmental conditions for the storageand/or display of objects. Indeed, notions of preventive conservation influencecontemporary museum design for new buildings, and modification where possibleof historic buildings (P<font size="1">ADFIED</font>, 2005). It should be noted, however, that thetechnical literature on preventive conservation mainly addresses the managementrequirements of museum and archive collections. Further examples of generalpreventive conservation literature and some more relevant for the issue of saltrelateddeterioration are given below.  


'''Preventive conservation and salt deterioration'''
'''Preventive conservation and salt deterioration'''  


Within the context of salts-related deterioration of cultural property, objects areoften exposed to direct weathering (e.g. historic buildings, outdoor monuments andsculpture). Objects affected by salt deterioration within historic structures includearchitectural surfaces and wall paintings, flooring, sculpture and monuments. Thepotential for controlling the environmental conditions within historic structures issubject to significant ethical, financial, and technical restrictions. Objects inmuseum environments are also often affected by salts which develop from gaseousemissions from storage materials and showcases, however, in such cases environmental control can be achieved comparatively more easily.
Within the context of salts-related deterioration of cultural property, objects areoften exposed to direct weathering (e.g. historic buildings, outdoor monuments andsculpture). Objects affected by salt deterioration within historic structures includearchitectural surfaces and wall paintings, flooring, sculpture and monuments. Thepotential for controlling the environmental conditions within historic structures issubject to significant ethical, financial, and technical restrictions. Objects inmuseum environments are also often affected by salts which develop from gaseousemissions from storage materials and showcases, however, in such cases environmental control can be achieved comparatively more easily.  


'''Interdisciplinary activity'''
'''Interdisciplinary activity'''  


Preventive conservation is an interdisciplinary activity and requires teamwork withconservation professionals (managers, fund-raisers, architects, conservators,geologists, chemists, engineers, etc.) working together with the non-professionalstakeholders (owners, local people). Neal Putt and Sarah Slade (P<font size = "1">UTT </font>and S<font size = "1">LADE</font>,2004) have produced a useful document which suggests a framework for planningand team-development to provide additional support for preventive conservation.Their approach of introducing teamwork to improve preventive conservation ─inthe museum context─ was based on the experiences of eleven museums from nine European countries.
Preventive conservation is an interdisciplinary activity and requires teamwork withconservation professionals (managers, fund-raisers, architects, conservators,geologists, chemists, engineers, etc.) working together with the non-professionalstakeholders (owners, local people). Neal Putt and Sarah Slade (P<font size="1">UTT </font>and S<font size="1">LADE</font>,2004) have produced a useful document which suggests a framework for planningand team-development to provide additional support for preventive conservation.Their approach of introducing teamwork to improve preventive conservation ─inthe museum context─ was based on the experiences of eleven museums from nine European countries.  


'''Preventive Measures'''
= '''Preventive Measures''' =


Actions undertaken as part of a building maintenance programme, are often beremedial but also serve as preventive measures in respect to salt deterioration. Forexample, the re-pointing of an exterior wall or the repair of a roof are remedialmeasures, but necessary to prevent liquid water infiltration. Other measures areseasonal and involve temporary modifications or intermittent implementation, e.g.against snow, warm weather condensation, etc.The tempering and buffering of historic buildings as a preventive conservationstrategy for ameliorating salt damage, may however, require direct actions ormodifications to the building fabric and site, and building usage (changes torainwater and drainage systems, roofing, drainage, awnings, heating andventilation systems and/or regimes).
Actions undertaken as part of a building maintenance programme, are often beremedial but also serve as preventive measures in respect to salt deterioration. Forexample, the re-pointing of an exterior wall or the repair of a roof are remedialmeasures, but necessary to prevent liquid water infiltration. Other measures areseasonal and involve temporary modifications or intermittent implementation, e.g.against snow, warm weather condensation, etc.The tempering and buffering of historic buildings as a preventive conservationstrategy for ameliorating salt damage, may however, require direct actions ormodifications to the building fabric and site, and building usage (changes torainwater and drainage systems, roofing, drainage, awnings, heating andventilation systems and/or regimes).  


Direct interventions which could be considered as preventive measures, such asthe application of sacrificial plasters, the mechanical removal of salts efflorescenceand other forms of salt reduction and/or conversion will be dealt with elsewhere.The application of an organic coating on a wall painting would nowadays beclassified as a remedial treatment. However, the waxing of wall paintings inEngland, in the first half of the 20th century was carried out with both remedial andpreventive conservation aims, but unfortunately led to widespread damage to wall paintings through salt deterioration. Despite this modern classification, it is possible to view some practical measures as preventive. For example, the mechanical removal of any surface salts by a trained conservator. Such actions require assessment and analysis of the object, of the salts present and the DBU Workshop 2008: Salzschäden environmental conditions, as well as subsequent post treatment monitoring to determine the efficacy of the action/s over time.
Direct interventions which could be considered as preventive measures, such asthe application of sacrificial plasters, the mechanical removal of salts efflorescenceand other forms of salt reduction and/or conversion will be dealt with elsewhere.The application of an organic coating on a wall painting would nowadays beclassified as a remedial treatment. However, the waxing of wall paintings inEngland, in the first half of the 20th century was carried out with both remedial andpreventive conservation aims, but unfortunately led to widespread damage to wall paintings through salt deterioration. Despite this modern classification, it is possible to view some practical measures as preventive. For example, the mechanical removal of any surface salts by a trained conservator. Such actions require assessment and analysis of the object, of the salts present and the DBU Workshop 2008: Salzschäden environmental conditions, as well as subsequent post treatment monitoring to determine the efficacy of the action/s over time.  


'''Potential modifications to the building envelope (interior, exterior)'''
'''Potential modifications to the building envelope (interior, exterior)'''  


Perhaps it is helpful to consider measures in terms of the following three categories:
Perhaps it is helpful to consider measures in terms of the following three categories:  


􀂄 Preventive maintenance (drainage, rainwater system, roofing)
*Preventive maintenance (drainage, rainwater system, roofing)
*Passive Interventions (the employment of preferential buffering materials, blocking of contamination or supply)
*Preventive Intervention (for example, the installation of an automatic air exchange regulated by absolute humidity, peripheral heating or other types of interior climate tempering, the mechanical reduction of salt efflorescences, or application of sacrificial plasters)


􀂄 Passive Interventions (the employment of preferential buffering materials, blocking of contamination or supply)
'''Possibility for the prevention or limitation of further salt supply'''


􀂄 Preventive Intervention (for example, the installation of an automatic air exchange regulated by absolute humidity, peripheral heating or other types of interior climate tempering, the mechanical reduction of salt efflorescences, or application of sacrificial plasters)
A bedrock of preventive conservation is the avoidance or blocking of deterioration agents, such as moisture, pests and other contaminants. In the case of salts, this means:


'''Possibility for the prevention or limitation of further salt supply'''
*Preventing ongoing contamination or deposition;
*&nbsp;Limiting or eliminating the source of salts where possible by preventive measures.


A bedrock of preventive conservation is the avoidance or blocking of deterioration agents, such as moisture, pests and other contaminants. In the case of salts, this means:
'''Disaster planning'''


􀂄 Preventing ongoing contamination or deposition;
A disaster plan should consider the possible damage caused by the ingress of water- be it on a minor or major scale.


􀂄 Limiting or eliminating the source of salts where possible by preventive measures.
'''Large-scale disasters:'''


'''Disaster planning'''
*For example flooding: Flood prevention
*&nbsp;What to do in the case of flooding
*&nbsp;Fire (water infiltration)


A disaster plan should consider the possible damage caused by the ingress of water- be it on a minor or major scale.
'''Small-scale disasters:'''


'''Large-scale disasters:'''
*Water infiltration (e.g. after roof damage by storm)
*&nbsp;Leakage of water pipes (sewage).


􀂄 For example flooding: Flood prevention
= '''Environmental assessment and monitoring leading to the management of environmental conditions'''  =


􀂄 What to do in the case of flooding
The term <nowiki>’</nowiki>environmental management<nowiki>’</nowiki> is preferred in place of the overly optimistic <nowiki>’</nowiki>environmental control<nowiki>’</nowiki>. In museums it is possible to aim for environmental control within specially designed and regulated buildings, display and storage cases. However, in the case of salts-related deterioration in the context of historic buildings and outdoor objects it is more realistic to aim for a beneficial modification of the environmental conditions. In very few cases will it be possible to <nowiki>’</nowiki>control<nowiki>’</nowiki> the environment.


􀂄 Fire (water infiltration)
The first step towards environmental modification is an environmental assessment.


'''Small-scale disasters:'''
This might include a survey of the sources of liquid water, measurement and analysis of moisture and salts within the object, environmental monitoring of relevant parameters.


􀂄 Water infiltration (e.g. after roof damage by storm)
*Relative humidity (RH)  
*Temperatures (air and surface temperatures)
*Insolation (light monitoring)
*Air pollution


􀂄 Leakage of water pipes (sewage).
Environmental stabilisation cannot merely be considered solely in terms of relative humidity control. Other factors also need to be taken into account when trying to reduce the rate of salt deterioration. In particular, increases in temperature and air speed exert a significant effect on the rate of moisture transfer by porous materials.  


'''10.4 Environmental assessment and monitoring leading to the management of environmental conditions'''
Consequently, the degree of ventilation and heating (especially the use of convective heating systems) within historic properties requires careful consideration not only in terms of relative humidity and temperature levels, but also for the kinetic effect they might have on salt behaviour (S<font size="1">AWDY</font>, 2001).


The term <nowiki>’</nowiki>environmental management<nowiki>’</nowiki> is preferred in place of the overly optimistic <nowiki>’</nowiki>environmental control<nowiki></nowiki>. In museums it is possible to aim for environmental control within specially designed and regulated buildings, display and storage cases. However, in the case of salts-related deterioration in the context of historic buildings and outdoor objects it is more realistic to aim for a beneficial modification of the environmental conditions. In very few cases will it be possible to <nowiki></nowiki>control<nowiki>’</nowiki> the environment.
Moreover, thermodynamic modelling of the behaviour of the salt-system present with respect to environmental parameters (P<font size="1">RICE</font>, 2000) can give useful information as to whether a certain relative humidity/temperature regime might be beneficial or harmful (S<font size="1">TEIGER</font>, 2005).  


The first step towards environmental modification is an environmental assessment.
'''Buffering'''


This might include a survey of the sources of liquid water, measurement and analysis of moisture and salts within the object, environmental monitoring of relevant parameters.
It is very important that the role of the support should not be overlooked. It has been demonstrated that lime plaster is extremely sensitive to environmental change and undergoes rapid desorption/adsorption, well within a 24-hour time-period. This has significant implications for the conservation of salt deteriorated wall paintings, and highlights the important role lime plaster plays in buffering environmental conditions (S<font size="1">AWDY</font>, 2001).  


􀂄 Relative humidity (RH)
'''Tempering'''


􀂄 Temperatures (air and surface temperatures)
The effective tempering of historic buildings practically involves direct interventions to the building fabric with the installation of local or perimeter heating. For case studies of wall–base heating systems for the tempering of historic buildings see Henning G<font size="1">ROSSESCHMIDT</font><nowiki>’</nowiki><font size="1">S </font>article and other useful contributions in K<font size="1">OTTERER </font>et al. (2004).


􀂄 Insolation (light monitoring)
General advice for best practice


􀂄 Air pollution
*Avoid relative humidity and temperature fluctuation
*Avoid condensation
*Avoid strong airflow
*Avoid direct sunlight on the surfaces
*Remove salt efflorescenses


Environmental stabilisation cannot merely be considered solely in terms of relative humidity control. Other factors also need to be taken into account when trying to reduce the rate of salt deterioration. In particular, increases in temperature and air speed exert a significant effect on the rate of moisture transfer by porous materials.
Passive systems


Consequently, the degree of ventilation and heating (especially the use of convective heating systems) within historic properties requires careful consideration not only in terms of relative humidity and temperature levels, but also for the kinetic effect they might have on salt behaviour (S<font size = "1">AWDY</font>, 2001).
*Passive climate control (control or modification?)  
*Buffering (methods and materials)  
*Ventilation
*Costs


Moreover, thermodynamic modelling of the behaviour of the salt-system present with respect to environmental parameters (P<font size = "1">RICE</font>, 2000) can give useful information as to whether a certain relative humidity/temperature regime might be beneficial or harmful (S<font size = "1">TEIGER</font>, 2005).
Active systems


'''Buffering'''
*Heating and ventilation systems
*Active ventilation control (e.g. governed by absolute humidity values)
*Cost (equipment and running costs)


It is very important that the role of the support should not be overlooked. It has been demonstrated that lime plaster is extremely sensitive to environmental change and undergoes rapid desorption/adsorption, well within a 24-hour time-period. This has significant implications for the conservation of salt deteriorated wall paintings, and highlights the important role lime plaster plays in buffering environmental conditions (S<font size = "1">AWDY</font>, 2001).
= '''Deficits'''  =


DBU Workshop 2008: Salzschäden
It is important to note that preventive conservation measures do not guarantee success and can themselves be detrimental; leading to an acceleration of deterioration. Alterations and additions to historic buildings undertaken with the intention of preventive conservation can, if unsuccessful, cause greater damage.


'''Tempering'''
For example, the new installation or changes to existing rainwater and drainage systems, roofing, drainage, awnings, heating and ventilation systems can all potentially exacerbate salt and/or microbiological activity or otherwise adversely affect cultural property.


The effective tempering of historic buildings practically involves direct interventions to the building fabric with the installation of local or perimeter heating. For case studies of wall–base heating systems for the tempering of historic buildings see Henning G<font size = "1">ROSSESCHMIDT</font><nowiki>’</nowiki><font size = "1">S </font>article and other useful contributions in K<font size = "1">OTTERER </font>et al. (2004).
The successful implementation of preventive conservation measures presumes knowledge of the object, which in turn requires object assessment and ongoing monitoring both of the object and the microclimate. This is difficult to achieve! A range of options can be considered; from the cheap to the expensive; from the more easily implemented to those which are difficult to implement; from those which are directly achievable to the aspirational. In respect to the salts, the requirement for specific assessment and evaluation israrely undertaken at the level required (damage mapping, salts analysis topographical and stratigraphic distribution). Nonetheless, we still need to know what the nature of the problem is and how big a problem it is in relation to the object and its wider context. Clearly, we must take care not to recommend changes that address the salt problem but adversely affect the object in another way.  


General advice for best practice
'''Problem areas, where research is needed'''


􀂄 Avoid relative humidity and temperature fluctuation
'''Pollution'''


􀂄 Avoid condensation
One of the major tasks for preventive conservation is the exclusion of pollutants from the object. This can be done by environmental measures (e.g. filtering systems in museums).


􀂄 Avoid strong airflow
'''Investigations'''


􀂄 Avoid direct sunlight on the surfaces
*What do we measure? The climate, the salts, etc.
*How do we measure it? What analytical methods are available, are all salt phases and ions known?
*How long do we measure for? Periodically, continuously, over what time period, e.g. one year?
*Are the measurements repeated? After one, two, or more years?
*What additional information is required (e.g. condition survey)?


􀂄 Remove salt efflorescenses
'''Monitoring (see chapter on Monitoring)'''


Passive systems
'''Impact assessment/quality control'''


􀂄 Passive climate control (control or modification?)
It is important to undertake some form of quality control/quality management in respect to the success of preventive actions taken. With an impact assessment and monitoring conducted in a systematic way measures can be evaluated and improved.


􀂄 Buffering (methods and materials)
'''Heating'''


􀂄 Ventilation
Heating has in past been shown in many cases to be responsible for exacerbating salt damage problems. However, resolving problems relating to heating is not easy. The salt system and many other parameters have to be identified and established in order to design and implement heating systems that do not promote further salt damage.


􀂄 Costs
'''Education'''


􀂄 Active systems
Education may well be the most important of all these points, because of the influence it has on all others. People responsible for the management and care of cultural heritage have to be made aware of preventive conservation issues. The education and training of all parties involved, from conservation professionals to the custodian in a museum or the sexton of a church, plays a key role for the success of implemented measures.


Heating and ventilation systems
= '''Selected literature'''  =


􀂄 Active ventilation control (e.g. governed by absolute humidity values)
A<font size="1">LCÁNTARA </font>R. (2002): Standards in Preventive Conservation, ICCROM


􀂄 Cost (equipment and running costs)
A<font size="1">SHLEY</font>-S<font size="1">MITH </font>J. (1999): Risk assessment for object conservation, Oxford, Butterworth-Heinemann


''' Deficits'''
C<font size="1">ASSAR </font>M. (1994): Preventive conservation and building maintenance, Museum


It is important to note that preventive conservation measures do not guarantee success and can themselves be detrimental; leading to an acceleration of deterioration. Alterations and additions to historic buildings undertaken with the intention of preventive conservation can, if unsuccessful, cause greater damage.
management and curatorship, vol. 13, n. 1, 39-47


For example, the new installation or changes to existing rainwater and drainage systems, roofing, drainage, awnings, heating and ventilation systems can all potentially exacerbate salt and/or microbiological activity or otherwise adversely affect cultural property.
C<font size="1">ATHER </font>S. (2003): Assessing causes and mechanisms of detrimental change to wall paintings. – In: Gowing Robert, Heritage Adrian (Eds): Conserving the Painted Past: Developing approaches to wall paintings conservation. Postprints of an International Conference Organized by English Heritage, December 1999 (Heritage list), 64 – 74.  


The successful implementation of preventive conservation measures presumes knowledge of the object, which in turn requires object assessment and ongoing monitoring both of the object and the microclimate. This is difficult to achieve! A range of options can be considered; from the cheap to the expensive; from the more easily implemented to those which are difficult to implement; from those which are directly achievable to the aspirational. In respect to the salts, the requirement for specific assessment and evaluation israrely undertaken at the level required (damage mapping, salts analysis topographical and stratigraphic distribution). Nonetheless, we still need to know what the nature of the problem is and how big a problem it is in relation to the object and its wider context. Clearly, we must take care not to recommend changes that address the salt problem but adversely affect the object in another way.
J<font size="1">EBERIEN </font>A., K<font size="1">NAUT </font>M. (Eds.) (2007): Preventive Conservation Beiträge des Workshops&nbsp;»Preventive Conservation«&nbsp;am 1. März 2007 an der Fachhochschule für Technik und Wirtschaft Berlin, Siegl Verlag, pp 64


'''Problem areas, where research is needed'''
K<font size="1">OTTERER </font>M., G<font size="1">ROSSESCHMIDT </font>H., B<font size="1">OODY </font>F., K<font size="1">IPPES </font>W. (Eds.). (2004): Klima in Museen und historischen Gebäuden: Die Temperierung/Climate in Museums and Historical Buildings: Tempering, Wissenschaftliche Reihe Schönbrunn 9, Schloss Schönbrunn, Kultur-u. Betriebsges.mbH; Auflage: 1, 192 pp.


'''Pollution'''
P<font size="1">ADFIED </font>T. (2005): How to keep for a while what you want to keep for ever, http://www.padfield.org/tim/cfys/phdk/phdk_tp.php (seen 01.09.2009)


One of the major tasks for preventive conservation is the exclusion of pollutants from the object. This can be done by environmental measures (e.g. filtering systems in museums).
P<font size="1">REVENTIVE </font>C<font size="1">ONSERVATION </font>1999: Museum International, Vol. 51, 1, 62 pp


'''Investigations'''
P<font size="1">RICE </font>C. (E<font size="1">D</font>.) (2000): An Expert Chemical Model for Determining the Environmental Conditions Needed to Prevent Salt Damage in Porous Materials (European Commission Studies: Research Report), Archetype Publications Ltd, 136 pp.


􀂄 What do we measure? The climate, the salts, etc.
P<font size="1">RICE </font>C.A. (2007): Predicting environmental conditions to minimise salt damage at the Tower of London: a comparison of two approaches, Environmental Geology, Volume 52, Number 2, 369-374, DOI 10.1007/s00254-006-0477-9


􀂄 How do we measure it? What analytical methods are available, are all salt phases and ions known?
P<font size="1">UTT </font>N., S<font size="1">LADE </font>S. (2004): Teamwork for Preventive Conservation, ICCROM, 57 p. http://www.iccrom.org/pdf/ICCROM_01_Teamwork_en.pdf (seen 01.09.2009)


􀂄 How long do we measure for? Periodically, continuously, over what time period, e.g. one year?
S<font size="1">AWDY </font>A. (2001): The Kinetics of Salt Weathering of Porous Materials: Stone Monuments and Wall Paintings, PhD thesis, Institute of Archaeology, University College London


􀂄 Are the measurements repeated? After one, two, or more years?
S<font size="1">TEIGER </font>M. (2005): Salts in Porous Materials: Thermodynamics of Phase Transitions, Modelling and Preventive Conservation. Restoration of Buildings and Monuments, 11 (6), 419-432


􀂄 What additional information is required (e.g. condition survey)?
T<font size="1">HE </font>D<font size="1">OCUMENT OF </font>V<font size="1">ANTAA </font>(2000): Towards a European Preventive Conservation Strategy adopted at the Vantaa Meeting, September 21-22


'''Monitoring (see chapter on Monitoring)'''
W<font size="1">ALLER </font>R. (1994): Conservation risk assessment: a strategy for managing resources for preventive conservation. -In A. Roy and P. Smith (Eds.). Preventive Conservation Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994. London: The International Institute for Conservation of Historic and Artistic Works, 12-16


'''Impact assessment/quality control'''
W<font size="1">ALLER </font>R., M<font size="1">ICHALSKI </font>S. (2004): Effective Preservation: From Reaction to Prevention, Getty Conservation Institute Newsletter 19(1): 4-9  
 
It is important to undertake some form of quality control/quality management in respect to the success of preventive actions taken. With an impact assessment and monitoring conducted in a systematic way measures can be evaluated and improved.
 
'''Heating'''
 
Heating has in past been shown in many cases to be responsible for exacerbating salt damage problems. However, resolving problems relating to heating is not easy. The salt system and many other parameters have to be identified and established in order to design and implement heating systems that do not promote further salt damage.
 
'''Education'''
 
Education may well be the most important of all these points, because of the influence it has on all others. People responsible for the management and care of cultural heritage have to be made aware of preventive conservation issues. The education and training of all parties involved, from conservation professionals to the custodian in a museum or the sexton of a church, plays a key role for the success of implemented measures.
 
''' Selected literature'''
 
A<font size = "1">LCÁNTARA </font>R. (2002): Standards in Preventive Conservation, ICCROM
 
A<font size = "1">SHLEY</font>-S<font size = "1">MITH </font>J. (1999): Risk assessment for object conservation, Oxford, Butterworth-Heinemann
 
C<font size = "1">ASSAR </font>M. (1994): Preventive conservation and building maintenance, Museum
 
management and curatorship, vol. 13, n. 1, 39-47
 
C<font size = "1">ATHER </font>S. (2003): Assessing causes and mechanisms of detrimental change to wall paintings. – In: Gowing Robert, Heritage Adrian (Eds): Conserving the Painted Past: Developing approaches to wall paintings conservation. Postprints of an International Conference Organized by English Heritage, December 1999 (Heritage list), 64 – 74.
 
J<font size = "1">EBERIEN </font>A., K<font size = "1">NAUT </font>M. (Eds.) (2007): Preventive Conservation Beiträge des Workshops »Preventive Conservation« am 1. März 2007 an der Fachhochschule für Technik und Wirtschaft Berlin, Siegl Verlag, pp 64
 
K<font size = "1">OTTERER </font>M., G<font size = "1">ROSSESCHMIDT </font>H., B<font size = "1">OODY </font>F., K<font size = "1">IPPES </font>W. (Eds.). (2004): Klima in Museen und historischen Gebäuden: Die Temperierung/Climate in Museums and Historical Buildings: Tempering, Wissenschaftliche Reihe Schönbrunn 9, Schloss Schönbrunn, Kultur-u. Betriebsges.mbH; Auflage: 1, 192 pp.
 
P<font size = "1">ADFIED </font>T. (2005): How to keep for a while what you want to keep for ever, http://www.padfield.org/tim/cfys/phdk/phdk_tp.php (seen 01.09.2009)
 
P<font size = "1">REVENTIVE </font>C<font size = "1">ONSERVATION </font>1999: Museum International, Vol. 51, 1, 62 pp
 
P<font size = "1">RICE </font>C. (E<font size = "1">D</font>.) (2000): An Expert Chemical Model for Determining the Environmental Conditions Needed to Prevent Salt Damage in Porous Materials (European Commission Studies: Research Report), Archetype Publications Ltd, 136 pp.
 
P<font size = "1">RICE </font>C.A. (2007): Predicting environmental conditions to minimise salt damage at the Tower of London: a comparison of two approaches, Environmental Geology, Volume 52, Number 2, 369-374, DOI 10.1007/s00254-006-0477-9
 
P<font size = "1">UTT </font>N., S<font size = "1">LADE </font>S. (2004): Teamwork for Preventive Conservation, ICCROM, 57 p. http://www.iccrom.org/pdf/ICCROM_01_Teamwork_en.pdf (seen 01.09.2009)
 
S<font size = "1">AWDY </font>A. (2001): The Kinetics of Salt Weathering of Porous Materials: Stone Monuments and Wall Paintings, PhD thesis, Institute of Archaeology, University College London
 
S<font size = "1">TEIGER </font>M. (2005): Salts in Porous Materials: Thermodynamics of Phase Transitions, Modelling and Preventive Conservation. Restoration of Buildings and Monuments, 11 (6), 419-432
 
T<font size = "1">HE </font>D<font size = "1">OCUMENT OF </font>V<font size = "1">ANTAA </font>(2000): Towards a European Preventive Conservation Strategy adopted at the Vantaa Meeting, September 21-22
 
W<font size = "1">ALLER </font>R. (1994): Conservation risk assessment: a strategy for managing resources for preventive conservation. -In A. Roy and P. Smith (Eds.). Preventive Conservation Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994. London: The International Institute for Conservation of Historic and Artistic Works, 12-16
 
W<font size = "1">ALLER </font>R., M<font size = "1">ICHALSKI </font>S. (2004): Effective Preservation: From Reaction to Prevention, Getty Conservation Institute Newsletter 19(1): 4-9
 
W<font size = "1">ATT </font>D., C<font size = "1">OLSTON </font>B. (Eds.) (2003). Conservation of Historic Buildings and their Contents: Addressing the Conflicts. Donhead


W<font size="1">ATT </font>D., C<font size="1">OLSTON </font>B. (Eds.) (2003). Conservation of Historic Buildings and their Contents: Addressing the Conflicts. Donhead


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Abstract[Bearbeiten]

Definition of Preventive conservation[Bearbeiten]

Preventive conservation can be defined as meaning all indirect actions aimed at increasing the life expectancy of objects and collections (THE DOCUMENT OF VANTAA, 2000); as opposed to the direct treatment of individual objects (remedialconservation). Preventive conservation requires the assessment of objects,deterioration agents, and the environmental context (surveys and investigations);as well as long-term judicious management and forward planning. The term coversall cultural heritage, be it movable or immovable, and aims to keep an object orgroup of objects in a preferred state where minimum damage and/or deteriorationoccurs, as well as addressing the assessment and management of potential risks toobjects and collections and the formulation of emergency response strategies. Itincludes direct actions undertaken to avoid natural and manmade deteriorationagents, in addition to improving the environmental conditions for the storageand/or display of objects. Indeed, notions of preventive conservation influencecontemporary museum design for new buildings, and modification where possibleof historic buildings (PADFIED, 2005). It should be noted, however, that thetechnical literature on preventive conservation mainly addresses the managementrequirements of museum and archive collections. Further examples of generalpreventive conservation literature and some more relevant for the issue of saltrelateddeterioration are given below.

Preventive conservation and salt deterioration

Within the context of salts-related deterioration of cultural property, objects areoften exposed to direct weathering (e.g. historic buildings, outdoor monuments andsculpture). Objects affected by salt deterioration within historic structures includearchitectural surfaces and wall paintings, flooring, sculpture and monuments. Thepotential for controlling the environmental conditions within historic structures issubject to significant ethical, financial, and technical restrictions. Objects inmuseum environments are also often affected by salts which develop from gaseousemissions from storage materials and showcases, however, in such cases environmental control can be achieved comparatively more easily.

Interdisciplinary activity

Preventive conservation is an interdisciplinary activity and requires teamwork withconservation professionals (managers, fund-raisers, architects, conservators,geologists, chemists, engineers, etc.) working together with the non-professionalstakeholders (owners, local people). Neal Putt and Sarah Slade (PUTT and SLADE,2004) have produced a useful document which suggests a framework for planningand team-development to provide additional support for preventive conservation.Their approach of introducing teamwork to improve preventive conservation ─inthe museum context─ was based on the experiences of eleven museums from nine European countries.

Preventive Measures[Bearbeiten]

Actions undertaken as part of a building maintenance programme, are often beremedial but also serve as preventive measures in respect to salt deterioration. Forexample, the re-pointing of an exterior wall or the repair of a roof are remedialmeasures, but necessary to prevent liquid water infiltration. Other measures areseasonal and involve temporary modifications or intermittent implementation, e.g.against snow, warm weather condensation, etc.The tempering and buffering of historic buildings as a preventive conservationstrategy for ameliorating salt damage, may however, require direct actions ormodifications to the building fabric and site, and building usage (changes torainwater and drainage systems, roofing, drainage, awnings, heating andventilation systems and/or regimes).

Direct interventions which could be considered as preventive measures, such asthe application of sacrificial plasters, the mechanical removal of salts efflorescenceand other forms of salt reduction and/or conversion will be dealt with elsewhere.The application of an organic coating on a wall painting would nowadays beclassified as a remedial treatment. However, the waxing of wall paintings inEngland, in the first half of the 20th century was carried out with both remedial andpreventive conservation aims, but unfortunately led to widespread damage to wall paintings through salt deterioration. Despite this modern classification, it is possible to view some practical measures as preventive. For example, the mechanical removal of any surface salts by a trained conservator. Such actions require assessment and analysis of the object, of the salts present and the DBU Workshop 2008: Salzschäden environmental conditions, as well as subsequent post treatment monitoring to determine the efficacy of the action/s over time.

Potential modifications to the building envelope (interior, exterior)

Perhaps it is helpful to consider measures in terms of the following three categories:

  • Preventive maintenance (drainage, rainwater system, roofing)
  • Passive Interventions (the employment of preferential buffering materials, blocking of contamination or supply)
  • Preventive Intervention (for example, the installation of an automatic air exchange regulated by absolute humidity, peripheral heating or other types of interior climate tempering, the mechanical reduction of salt efflorescences, or application of sacrificial plasters)

Possibility for the prevention or limitation of further salt supply

A bedrock of preventive conservation is the avoidance or blocking of deterioration agents, such as moisture, pests and other contaminants. In the case of salts, this means:

  • Preventing ongoing contamination or deposition;
  •  Limiting or eliminating the source of salts where possible by preventive measures.

Disaster planning

A disaster plan should consider the possible damage caused by the ingress of water- be it on a minor or major scale.

Large-scale disasters:

  • For example flooding: Flood prevention
  •  What to do in the case of flooding
  •  Fire (water infiltration)

Small-scale disasters:

  • Water infiltration (e.g. after roof damage by storm)
  •  Leakage of water pipes (sewage).

Environmental assessment and monitoring leading to the management of environmental conditions[Bearbeiten]

The term ’environmental management’ is preferred in place of the overly optimistic ’environmental control’. In museums it is possible to aim for environmental control within specially designed and regulated buildings, display and storage cases. However, in the case of salts-related deterioration in the context of historic buildings and outdoor objects it is more realistic to aim for a beneficial modification of the environmental conditions. In very few cases will it be possible to ’control’ the environment.

The first step towards environmental modification is an environmental assessment.

This might include a survey of the sources of liquid water, measurement and analysis of moisture and salts within the object, environmental monitoring of relevant parameters.

  • Relative humidity (RH)
  • Temperatures (air and surface temperatures)
  • Insolation (light monitoring)
  • Air pollution

Environmental stabilisation cannot merely be considered solely in terms of relative humidity control. Other factors also need to be taken into account when trying to reduce the rate of salt deterioration. In particular, increases in temperature and air speed exert a significant effect on the rate of moisture transfer by porous materials.

Consequently, the degree of ventilation and heating (especially the use of convective heating systems) within historic properties requires careful consideration not only in terms of relative humidity and temperature levels, but also for the kinetic effect they might have on salt behaviour (SAWDY, 2001).

Moreover, thermodynamic modelling of the behaviour of the salt-system present with respect to environmental parameters (PRICE, 2000) can give useful information as to whether a certain relative humidity/temperature regime might be beneficial or harmful (STEIGER, 2005).

Buffering

It is very important that the role of the support should not be overlooked. It has been demonstrated that lime plaster is extremely sensitive to environmental change and undergoes rapid desorption/adsorption, well within a 24-hour time-period. This has significant implications for the conservation of salt deteriorated wall paintings, and highlights the important role lime plaster plays in buffering environmental conditions (SAWDY, 2001).

Tempering

The effective tempering of historic buildings practically involves direct interventions to the building fabric with the installation of local or perimeter heating. For case studies of wall–base heating systems for the tempering of historic buildings see Henning GROSSESCHMIDTS article and other useful contributions in KOTTERER et al. (2004).

General advice for best practice

  • Avoid relative humidity and temperature fluctuation
  • Avoid condensation
  • Avoid strong airflow
  • Avoid direct sunlight on the surfaces
  • Remove salt efflorescenses

Passive systems

  • Passive climate control (control or modification?)
  • Buffering (methods and materials)
  • Ventilation
  • Costs

Active systems

  • Heating and ventilation systems
  • Active ventilation control (e.g. governed by absolute humidity values)
  • Cost (equipment and running costs)

Deficits[Bearbeiten]

It is important to note that preventive conservation measures do not guarantee success and can themselves be detrimental; leading to an acceleration of deterioration. Alterations and additions to historic buildings undertaken with the intention of preventive conservation can, if unsuccessful, cause greater damage.

For example, the new installation or changes to existing rainwater and drainage systems, roofing, drainage, awnings, heating and ventilation systems can all potentially exacerbate salt and/or microbiological activity or otherwise adversely affect cultural property.

The successful implementation of preventive conservation measures presumes knowledge of the object, which in turn requires object assessment and ongoing monitoring both of the object and the microclimate. This is difficult to achieve! A range of options can be considered; from the cheap to the expensive; from the more easily implemented to those which are difficult to implement; from those which are directly achievable to the aspirational. In respect to the salts, the requirement for specific assessment and evaluation israrely undertaken at the level required (damage mapping, salts analysis topographical and stratigraphic distribution). Nonetheless, we still need to know what the nature of the problem is and how big a problem it is in relation to the object and its wider context. Clearly, we must take care not to recommend changes that address the salt problem but adversely affect the object in another way.

Problem areas, where research is needed

Pollution

One of the major tasks for preventive conservation is the exclusion of pollutants from the object. This can be done by environmental measures (e.g. filtering systems in museums).

Investigations

  • What do we measure? The climate, the salts, etc.
  • How do we measure it? What analytical methods are available, are all salt phases and ions known?
  • How long do we measure for? Periodically, continuously, over what time period, e.g. one year?
  • Are the measurements repeated? After one, two, or more years?
  • What additional information is required (e.g. condition survey)?

Monitoring (see chapter on Monitoring)

Impact assessment/quality control

It is important to undertake some form of quality control/quality management in respect to the success of preventive actions taken. With an impact assessment and monitoring conducted in a systematic way measures can be evaluated and improved.

Heating

Heating has in past been shown in many cases to be responsible for exacerbating salt damage problems. However, resolving problems relating to heating is not easy. The salt system and many other parameters have to be identified and established in order to design and implement heating systems that do not promote further salt damage.

Education

Education may well be the most important of all these points, because of the influence it has on all others. People responsible for the management and care of cultural heritage have to be made aware of preventive conservation issues. The education and training of all parties involved, from conservation professionals to the custodian in a museum or the sexton of a church, plays a key role for the success of implemented measures.

Selected literature[Bearbeiten]

ALCÁNTARA R. (2002): Standards in Preventive Conservation, ICCROM

ASHLEY-SMITH J. (1999): Risk assessment for object conservation, Oxford, Butterworth-Heinemann

CASSAR M. (1994): Preventive conservation and building maintenance, Museum

management and curatorship, vol. 13, n. 1, 39-47

CATHER S. (2003): Assessing causes and mechanisms of detrimental change to wall paintings. – In: Gowing Robert, Heritage Adrian (Eds): Conserving the Painted Past: Developing approaches to wall paintings conservation. Postprints of an International Conference Organized by English Heritage, December 1999 (Heritage list), 64 – 74.

JEBERIEN A., KNAUT M. (Eds.) (2007): Preventive Conservation Beiträge des Workshops »Preventive Conservation« am 1. März 2007 an der Fachhochschule für Technik und Wirtschaft Berlin, Siegl Verlag, pp 64

KOTTERER M., GROSSESCHMIDT H., BOODY F., KIPPES W. (Eds.). (2004): Klima in Museen und historischen Gebäuden: Die Temperierung/Climate in Museums and Historical Buildings: Tempering, Wissenschaftliche Reihe Schönbrunn 9, Schloss Schönbrunn, Kultur-u. Betriebsges.mbH; Auflage: 1, 192 pp.

PADFIED T. (2005): How to keep for a while what you want to keep for ever, http://www.padfield.org/tim/cfys/phdk/phdk_tp.php (seen 01.09.2009)

PREVENTIVE CONSERVATION 1999: Museum International, Vol. 51, 1, 62 pp

PRICE C. (ED.) (2000): An Expert Chemical Model for Determining the Environmental Conditions Needed to Prevent Salt Damage in Porous Materials (European Commission Studies: Research Report), Archetype Publications Ltd, 136 pp.

PRICE C.A. (2007): Predicting environmental conditions to minimise salt damage at the Tower of London: a comparison of two approaches, Environmental Geology, Volume 52, Number 2, 369-374, DOI 10.1007/s00254-006-0477-9

PUTT N., SLADE S. (2004): Teamwork for Preventive Conservation, ICCROM, 57 p. http://www.iccrom.org/pdf/ICCROM_01_Teamwork_en.pdf (seen 01.09.2009)

SAWDY A. (2001): The Kinetics of Salt Weathering of Porous Materials: Stone Monuments and Wall Paintings, PhD thesis, Institute of Archaeology, University College London

STEIGER M. (2005): Salts in Porous Materials: Thermodynamics of Phase Transitions, Modelling and Preventive Conservation. Restoration of Buildings and Monuments, 11 (6), 419-432

THE DOCUMENT OF VANTAA (2000): Towards a European Preventive Conservation Strategy adopted at the Vantaa Meeting, September 21-22

WALLER R. (1994): Conservation risk assessment: a strategy for managing resources for preventive conservation. -In A. Roy and P. Smith (Eds.). Preventive Conservation Practice, Theory and Research. Preprints of the Contributions to the Ottawa Congress, 12-16 September 1994. London: The International Institute for Conservation of Historic and Artistic Works, 12-16

WALLER R., MICHALSKI S. (2004): Effective Preservation: From Reaction to Prevention, Getty Conservation Institute Newsletter 19(1): 4-9

WATT D., COLSTON B. (Eds.) (2003). Conservation of Historic Buildings and their Contents: Addressing the Conflicts. Donhead